Soloing Over Blues Progressions - A More Effective Approach Most guitarists are taught to play minor pentatonic or the flat 5 blues scale when soloing over a 1 4 5 blues progression. The blues scale has all the same notes as the minor pentatonic scale – R, b3, 4, 5, b7 – with the b5 added. The Battle of Blue Licks, fought on August 19, 1782, was one of the last battles of the American Revolutionary War.The battle occurred ten months after Lord Cornwallis's surrender at Yorktown, which had effectively ended the war in the east.On a hill next to the Licking River in what is now Robertson County, Kentucky (then Fayette … bass -walking 12 bar blues in E. guitar – 12 bar blues – 2nd position study. This is about the easiest and most relevant way to do this. King-isms, and this one is no exception. They are great if you want to further develop your skills or if you want to fill up a 12-bar with nice licks great for anything you can think of. While learning blues guitar licks is an important step to take, you'll need more than this. To play this lick you want to begin by bending the 7th fret of the third string up a whole step. Blues lick 6 is one of those I-IV-I-V7 turnaround blues licks in the spirit of E.C.’s “Sleepy Time Time” moves. A lot of blues guitar students make the mistake thinking that they can just transpose licks to play over any chord, but this just sounds horribly wrong. Enjoy the old-timey feel of these timeless masterpieces. You can learn from the masters. Or you can play them in sequence over a standard 12-bar blues to create one very hip solo, as we’ll do for the very last step of this lesson. When you start playing solos and thinking of the architecture of a solo, how to build up and release tension and all these things, you need a basic set of Blues licks to start with. In the key of A, the b5 is Eb, that note we’re grabbing at the fourth fret on the second string in this lick. View Lesson Description View Lesson We all know that playing Melodic Style is a great way to get fast and fancy banjo runs, but it gets even cooler when you use blues scales. Playing the exact right notes at the exact right time so they fit the underlying chords is a very important skill. Make sure that you barre fret 5 with your index finger after the blue note bend at fret 8. Our first lick, FIGURE 4, is a striking opening phrase to be played over a I chord. There was a problem. This shouldn't come as a suprise, as this last note is derived from the minor scale instead of the previous notes from the major scale. A double stop technique simply means that there are two notes on adjacent strings played at the same time. bass – Basic Bass Lines and Scales. But don’t worry about that for now, if you’re new to blues guitar, then focus on getting the phrasing and the techniques down first. Just like the first blues lick, this second lick is a mixture of both major and minor sounds. In this video I’ll show you the complete process on how to combine short licks into one longer blues lick: On the tablature above you’ll notice both blues lick 1 and blues lick 2 that are merged together. How To Use Your Blues Licks During Improvisations. BLUES LICKS. It’s based out of the blues scale but there are voodoo elements resolving to the major 3rd. Breaking free momentarily from the tyranny of the scale, FIGURE 8 purveys a sliding IV6-to-IV9 chord pattern beloved by the likes of Johnny Moore (who played with Charles Brown in the 1940s) and T-Bone Walker. The reason why blues music has such a unique sound lays in the fact that the tonality changes a lot from minor to major sounds. This is particularly true of blues, a style loosely based upon musical cliches that have survived generations. Example 2. guitar – 12 bar solo – 3 phrase style. But don’t worry about that for now, if you’re new to blues guitar, then focus on getting the phrasing and the techniques down first. Your solos just sound very "right" to my ears so when I learn your licks it's really something I can use. © The first blues lick to learn on guitar is derived from the famous master blues guitarist Freddy King. Lick #1 The first blues piano lick is two measures long and works over a single dominant chord. In addition to this article I would recommend you to study my Guide on How To Play The Most Awesome Licks Over Any Blues Chord. Blues Lick #7: Strange Blue Disraeli Gears, the follow-up to Fresh Cream, found the band stepping into psychedelic territory, with more adventurous songwriting and wilder tones—including Clapton’s first … King "Why I Sing The Blues" Albert King was famed for his powerful string-bending style as well as for his soulful singing, which earned him the nickname The Velvet Bulldozer. Often recorded in educators’ home studios, these products present fresh educational concepts and … In some ways, you are getting 2 lessons in one. To finish off my top 5 blues guitar riffs, here is the classic T-Bone intro to ‘Stormy Monday’. When listening to the best blues guitarists you'll notice that there are several famous licks they use all of the time. Dig that the root (A), b5th (Eb) and b3rd (C) are right out of the A blues scale, while the 6th (F#) hints at the A Mixolydian mode. The II-V7-I Progression: The Most Important Musical Sequence in Jazz, Vol. bass – walking bass lines for common chords. SRV is for many people on of the finest blues players of all time and he has loads of awesome licks that are great to steal and work into your own playing. The first pattern, FIGURE 1, is a full-blown A blues scale in 5th position. Lick #5 – 1:51 – “Bona Massa” from Jay-P’s 30 Cutting-Edge Blues Licks You’ll notice that playing both licks after each other won’t sound that great. The two blues licks we analysed in this article are on the other hand perfect to use over dominant seven chords such as the ones used in a standard 12 bar blues. How To Play Blues Guitar Licks Over Any Blues Chord. This simply means that the accent lays in between the beats and you have to start the lick at the upbeat from beat one. This collection of 30 licks will inspire you new ideas using the minor pentatonic scale and multiple keys and in multiple tempos. How To Use Your Blues Licks During Improvisations. It’s important that you don’t start the lick right away on the first beat because it is syncopated. Start with your ring finger, using it for the full-step bend and the repeat of the root (A). Let’s check ’em out! It is a great way to start a phrase, or a great way to extend a phrase with a new idea. The solo is over a jazz blues in F and is full of classic Wes licks and ideas that you can apply to your own playing. Take a listen for example to the style of Stevie Ray Vaughan who’s constantly using short cliché blues licks that are glued together to make it really big and powerful. Resolving to the root (A) of the I chord allows us the opportunity to follow with a lick that can chart an entirely new course, which is exactly what we see next. To learn more minor blues scale riffs, check out Blues Guitar 101 – M ode Foundations. Use your first finger to minimise string noise. The first pattern, FIGURE 1, is a full-blown A blues scale in 5th position. BLUES LICKS. Blues and Stomps (Morton, Jelly Roll) Blues comme l'enfer (Letort, Bruno) Blues for Piano and Percussion (Kinadjian, Pascal) Blues for Rodica (Nichifor, Serban) Blues for Simone (Nehls, Ulrich) Blues for Woodwinds (Tang, Elizabeth) Blues In Memory of Jaco Pastorius (Nichifor, Serban) 3 Blues (Allard, Michel) Blues, Op.74 (Fine, … Analysis Of The Famous Blues Lick’s Technicality. This is the reason why the collection of these famous licks is a crucial aspect in your own development as a guitarist. guitar – 12 Bar Blues in E – with jazz chords. View Lesson Description View Lesson We all know that playing Melodic Style is a great way to get fast and fancy banjo runs, but it gets even cooler when you use blues scales. Acoustic Blues Guitar Lick by Jody Worrell is a free lesson that will teach you a great way to kick off an acoustic blues tune. However, 90% of the time these licks are gonna work great over most typical blues progressions with In any key using Dominant 7th chords. The mighty T-Bone cut heads in tunes like Strolling with Bones with this powerful diminished chord voicing, shown in FIGURE 11. The techniques required to play the lick are simply a hammer-on and vibrato technique. For example, playing these licks in a minor blues setting will end very bad. I love the groove and his feel is just magical. T-Bone Walker – Stormy Monday . guitar – 12 bar solo – 3 phrase style. However, 90% of the time these licks are gonna work great over most typical blues progressions with In any key using Dominant 7th chords. 249 8 94% Approve. King and Stevie Ray Vaughn... includes complete notes, guitar tablature and blues mp3 plackbaks for self study or to play as a band. Add to cart. Learning and assimilating the concepts behind these jazz guitar licks is a great way to improve your improvisational skills and expand your jazz vocabulary. Notice that it contains the root, b3rd, 4th, b5th, 5th and b7th degrees of an A major scale. Blues Guitar Solo - learn a long blues guitar solo full of cool blues guitar licks played by Jimi Hendrix, Eric Clapton, Mark Knopfler, B.B. Bend up to the 3rd (C#) with your ring finger, holding it while you play the 5th (E) with your pinkie. You can drop any of these 12 classic phrases into a blues-based progression and come out smiling. 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